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Pietro Gualdi aka Pedro Gualdi (22 July 1808 Carpi, Emilia-Romagna - 4 January 1857 New Orleans), was an Italian-born artist, panorama painter, architect and lithographer who was active in Mexico City from 1838 to about 1851, and in New Orleans from about 1851 to 1857. ==In Mexico== He was a set designer and painter at La Scala in Milan before studying perspective, painting, and theater design at the Milan Academy of Arts in about 1834-1835. His new occupation as scene painter enabled him to travel to Mexico around 1838 with an Italian opera company. After his 13 years in Mexico, he lived in New Orleans for the rest of his life. As Pedro Gualdi in Mexico, he was a prolific artist, sketching and painting Mexico City's architecture, landmarks, and scenery.〔James Oles, ''art and Architecture in Mexico''. London: Thames & Hudson, 2013, p. 181.〕 He produced an album of lithographs, ''"Monumentos de Méjico"'' which was published by Massé y Decaen of Mexico City in 1841. He taught perspective at the Academia de San Carlos in Mexico City in 1850, having Casimiro Castro as one of his students. He "created precise renditions of major monuments and urban spaces what are not about exotic strangeness but instead emphasize the capital's grandeur and order."〔Oles, ''Mexican Art and Architecture'', p. 181.〕 In 1841 he produced a valuable historical document in the form of a book of lithographs titled ''"Monumentos de Mejico, tomados del natural y litografiados por Pedro Gualdi pintor de perspectiva obsequio a los señores abonados"'', lithographed and published by Agustín Massé and Jean Decaen Callejon. The thirteen plates portrayed the 'Catedral', 'Plaza de So. Domingo y Aduana', 'Exterior de Na. Sa. de Guadalupe', 'Interior de la Universidad', 'Interior de la Mineria', 'Colegio de Mineria', 'Interior de Catedral', 'Santuario de Na. Sa. de Guadalupe', 'Paseo de la Independencia', 'Patio del convento de Na, S. de la Merced', 'Camara de los Diputados' and the 'Casa Municipal'. The book proved so popular that a second revised edition was published in 1841-42. In 1842 he produced an oil painting panorama of Mexico City that resulted in four lithographs of the city as seen from the tower of the church of St. Augustine. He made sketches and paintings of U.S. troops entering Mexico City in the War of 1846-8. During the Mexican-American War Gualdi’s work was copied by some U.S. publishers, both to help the war effort and for profit, a view of the Military College at Chapultepec and a bird’s-eye view of the Zócalo of Mexico City having military value. Gualdi worked with Agustín Massé, J. Decaen, and Michaud on the ca. 1851 ''"Album Pintoresco de la República Mexicana"''. 〔(Dorothy Sloan Books )〕〔(''"Pioneer Photographers from the Mississippi to the Continental Divide: A Biographical Dictionary, 1839-1865"'' - Peter E. Palmquist, Thomas R. Kailbourn )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Pietro Gualdi」の詳細全文を読む スポンサード リンク
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